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In 1949 – when the dance rage is the mambo – two young Cuban musicians, recent immigrants, make their way up to the grand stage of New York. The Castillo brothers, workers by day, become night stars of the dance halls, where their orchestra plays the lush, sensuous, pulsing music that earns them the tile of Mambo Kings. Oscar Hijuelos' marvelous portrait of the Castillo brothers, their families, their fellow musicians and lovers, their
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